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芳心封鎖

  • 主演:Gila  Almagor  
  • 导演:Gilberto  Tofano  
  • 分类:纪录片
  • 地区:其它
  • 年份:1969
  • 更新:2024-09-26 21:33
  • 简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a..
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  • 剧情介绍
作为一名纪录片重度爱好,小编必须向你们推荐一下这部其它电影,芳心封鎖电影在1969年上映后口碑爆棚,在国内外知名影评网站上芳心封鎖的新鲜度高达99%,这个成绩在纪录片领域极为罕见,芳心封鎖纪录片时刻刺激着观众的眼球,可以说芳心封鎖电影是一部剧情跌宕起伏、环环相扣的纪录片,本片由Gila,Almagor主演,导演是Gilberto,Tofano,上映于1969年的其它,芳心封鎖讲述了The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

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