恩培多克勒之死

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作为一名纪录片重度爱好,小编必须向你们推荐一下这部法国电影，恩培多克勒之死电影在1987年上映后口碑爆棚，在国内外知名影评网站上恩培多克勒之死的新鲜度高达99%，这个成绩在纪录片领域极为罕见，恩培多克勒之死纪录片时刻刺激着观众的眼球，可以说恩培多克勒之死电影是一部剧情跌宕起伏、环环相扣的纪录片，本片由威廉姆·伯格,Georg,Brintrup,霍华德·沃侬主演，导演是达尼埃尔·于伊耶,让-马里·斯特劳布，上映于1987年的法国，恩培多克勒之死讲述了The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.　　The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,　　the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.　　Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.